Love & Envy
The case for commitment
I was surfing Instagram this morning and I came across woman I met over a decade ago when in fact I can honestly say she was a child. I heard her at a local jam bringing her typical Aretha Franklin-esk style to the traditions of jazz, showing her range and vocal acrobatics to be base. She was a woman of colour and had that enviable 'black womans' tone and certainly traditional curves of her clan and yet she obviously had no formal training or theory or particularly healthy lifestyle. She wailed her way through yet another version of Summertime, we clapped because that's what Prairie folk do and she sat down. Her instrument was okay. She would have not been memorable at all had I not ran into her online this morning.
Bam! This girl had kicked and punched and trailblazed her way through a University jazz program (#uofm), starting with no theory and graduating a formidable musician. Dance classes added to recitals added to big band added to small ensemble and gig after gig after gig created a new animal all together from the one I saw at that little jam. From Winnipeg, to Toronto to New York and as of this morning...Tokyo and though I am such a Queen of wanderlust it was not the exposure or travel or even the fact that she worked off her baby fat into that of a hot dancer level body, it was the music. This woman moved me to tears with her sense of tone and choice of notes. She improvised from a place of magic.
Magic.
I'm writing here to clarify and solidify my hearts depth of joy for the warrior I witnessed in this Feminine Divine but also to salve the envy. I watch my mind wonder how I can possible catch up to her decades of battle over the deeply challenging language of music. Then I remembered my fiancé, one day as I lay on the kitchen floor whining about the errors I had made on my last show and why oh why am I still suffering a day job and not living as a successful musician...he chose that moment to challenge my commitment. Not to him (that's another blog post all together) but to myself. I was so hurt and didn't talk to him for hours in true Ying style. But the truth is the truth.
I do not live a life committed to my art.
I live in fear. I live in the struggle. I live in the lack. I do not fight through the pain of injury that allows me to practice my instruments only 10 mins at a time (#excusesrbull). I do not push forward when I fall down. I do get up but it's slow and with trepidation. I wail out to the Universe for help and yet ...hey Mira buy a ticket!
Discipline and love combined is what it takes. Yes, play music for the love of the music and still focus on manifesting the stages I dream about; Monterey, Bombay, Toronto, Spain. So then how do I take responsibility for my destiny? What is the next step? First, set down the comparative thinking. She is she and you are you. Love her. Second, if it' sonly ten minutes you can do then do it and then do it again and again. And again. Falling down is just the yang of rising from the ashes and forget about the Hollywood versions of how my life "should" look. Ask for help. Not as a victim but as a leader. Take more chances and drop any ideas of how you did it wrong. Move forward in mindful presence and let go of past and future (that's really hard said Capt. Obvious)
Change my mind. I think that's the final step. More than "believe in" or "love myself" I must learn to corral the asshole in my mind that punches the seeping wound on my heart which longs for the music in my Soul to shine forth. Commit to my Self. That's the deal. I can talk all day long about how to and not to commit to a partner but how to commit to my Self. This is my challenge today.
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